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Cruise has two main modes in his acting repertoire: flash that thousand-watt smile or play the stone-face, and he mostly does the latter here, so honestly, Ethan’s not all that interesting when he’s standing still and talking. Ethan runs, Ethan leaps, Ethan bashes faces, Ethan violates traffic laws, Ethan runs some more. What Cruise does on screen is pretty much the same-old. Joining them is Wilkinson’s aide, William Brandt (Renner), a guy who takes to field work a little too easily to be the desk-jockey analyst he claims he is. With U.S.-Russian tension at its worst since the Cuban missile crisis, the threat that’s always hung over the IMF team comes to pass: The secretary (Tom Wilkinson) disavows knowledge of their actions, leaving Hunt and his comrades on their own as they try to clear their names and stop Hendricks from instigating nuclear war.
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But it’s all a setup by madman Kurt Hendricks (Michael Nyqvist), who sets off a devastating explosion at the Kremlin to cover his theft of a Russian nuclear launch device and manages to finger Ethan’s team for the blast. Once free, Ethan is dispatched to infiltrate the Kremlin along with Impossible Missions Force agents Jane Carter (Patton) and Benji Dunn (Pegg).
Mission impossible ghost protocol movie#
The movie starts with a clever jailbreak by Cruise’s Ethan Hunt, stuck in a Moscow prison for reasons unexplained until late in the story, then serves up an opening-credit montage fondly reminiscent of the old “Mission: Impossible” TV show. They keep Cruise surrounded by a tight, capable supporting cast in Jeremy Renner, Paula Patton and Simon Pegg, who co-starred in “Mission: Impossible III.” If you have the slightest fear of heights, grip the arm rests tightly and press both feet flatly to the floor during Cruise’s attempt to scale the world’s tallest building even safe in your seat, an unnerving feeling of vertigo is bound to result as you stare down from the 130th floor.įor all the complexity of the action and gimmicks, Bird and screenwriters André Nemec and Josh Appelbaum (executive producers on Abrams’ “Alias”) wisely tell a simple, good-guys-against-bad-guys story. But Bird applies the anything-can-happen limitlessness of cartoons and just goes for it, creating some thrilling, dizzying, amazing action sequences. Granted, this is the real world, “MI”-style, where Cruise’s missions and stunts truly are impossible by the laws of physics and normal, plausible storytelling constraints. Yet along comes Bird to show that the enormous talent behind his Academy Award winners “The Incredibles” and “Ratatouille” transfers mighty nicely from animation to the real world. Those three filmmakers had years and years of action stuff behind them with real, live actors. Abrams, who stuck around as producer on this one. 2 by John Woo and even the franchise’s previous high with No. This is the best of the “MI” movies, far better than Brian De Palma’s original, No. For director Brad Bird, though, the fourth “Mission,” rock solid as it is, ranks only as his second-best action movie, after the animated smash “The Incredibles.”Ĭruise may be the star here, but Bird’s the story, a director who’s only making his fourth movie and, remarkably, his first live-action feature. Luckily for Tom Cruise, “Mission: Impossible - Ghost Protocol” is one of his finest action flicks, just what’s needed to potentially restore some of this fallen star’s box-office bankability. Review: ‘Mission Impossible - Ghost Protocol’ – The Mercury News